Antje Dorn
Passage
2015-2017
45 paintings
oil on canvas
different sizes
Antje Dorn has devoted her series “Passage” to the most matter-of-fact way in which people move from one place to another. Paradoxically, however, the character of the paintings with their firm, concentrated brushstrokes and carefully demarcated and composed monochromatic surfaces remains calm and static. The images display Dorn’s signature formal language, consisting of simplified figures furnished with individual attributes and yet rendered as prototypes. Dorn tires to capture typical phenomenons of daily routine in her series and shows the anonymity of city.
Exhibition at Galerie m 2017
45 paintings
oil on canvas
different sizes
Antje Dorn has devoted her series “Passage” to the most matter-of-fact way in which people move from one place to another. Paradoxically, however, the character of the paintings with their firm, concentrated brushstrokes and carefully demarcated and composed monochromatic surfaces remains calm and static. The images display Dorn’s signature formal language, consisting of simplified figures furnished with individual attributes and yet rendered as prototypes. Dorn tires to capture typical phenomenons of daily routine in her series and shows the anonymity of city.
Exhibition at Galerie m 2017
Exhibition view
Galerie m, 2017
Galerie m, 2017
Exhibition view
Galerie m, 2017
Galerie m, 2017
Exhibtion view
Galerie m, 2017
Galerie m, 2017
N°10 und N°11, 2015, each 100 x 80 cm, oil on canvas
Exhibition view
Galerie m, 2017
Galerie m, 2017
N°44, 2016, 220 x 180 cm, oil on canvas | N°45, 2017, 220 x 180 cm, oil on canvas
N°2 und N°1, 2015, each 60 x 50 cm, oil on canvas
N°7 und N°8, 2015, each 50 x 40 cm, oil on canvas
16 teiliger Fries, je 60 x 50 cm
1. Reihe: N° 23, N° 18, N° 22, N° 35
2. Reihe: N° 30, N° 29, N° 20, N° 34
3. Reihe: N° 40, N° 27, N° 14, N° 38
4. Reihe: N° 28, N° 21, N° 37, N° 25
1. Reihe: N° 23, N° 18, N° 22, N° 35
2. Reihe: N° 30, N° 29, N° 20, N° 34
3. Reihe: N° 40, N° 27, N° 14, N° 38
4. Reihe: N° 28, N° 21, N° 37, N° 25