Exhibition information
Art Düsseldorf 2024
Booth A03
12 - 14 April, 2024, Areal Böhler, Kaltstahlhalle
Thursday, Preview noon and Opening 4 - 8 p.m.
Friday, noon - 7 p.m.
Saturday, 11 a.m. - 7 p.m.
Sunday 11 a.m. - 6 p.m.
Anja Bohnhof | Evelina Cajacob | Lucinda Devlin | Thomas Florschuetz |
Lena von Goedeke | Kuno Gonschior | Caroline von Grone | Evelyn Hofer |
Franka Hörnschemeyer | Melanie Manchot | Simone Nieweg | Tanya Poole |
Richard Serra | Lee Ufan |
12 - 14 April, 2024, Areal Böhler, Kaltstahlhalle
Thursday, Preview noon and Opening 4 - 8 p.m.
Friday, noon - 7 p.m.
Saturday, 11 a.m. - 7 p.m.
Sunday 11 a.m. - 6 p.m.
Anja Bohnhof | Evelina Cajacob | Lucinda Devlin | Thomas Florschuetz |
Lena von Goedeke | Kuno Gonschior | Caroline von Grone | Evelyn Hofer |
Franka Hörnschemeyer | Melanie Manchot | Simone Nieweg | Tanya Poole |
Richard Serra | Lee Ufan |
Franka Hörnschemeyer
Oszilloskop, 2014
aluminium, steel, computer, motor
approx. 230 x 298 x 298 cm, size variable
Oszilloskop, 2014
aluminium, steel, computer, motor
approx. 230 x 298 x 298 cm, size variable
Franka Hörnschemeyer
At this year's Art Düsseldorf, we are placing a special focus on the work of FRANKA HÖRNSCHEMEYER (* 1958), whose expansive, kinetic sculpture "Oszilloskop" was selected for a sculpture space this year. The sculptor understands space as a material that is characterised by formal complexity and ambiguity of content. She uses industrially manufactured building materials such as formwork elements. Franka Hörnschemeyer's oeuvre includes expansive installations and sculptural works, film, photography and sound. We are currently showing Franka Hörnschemeyer in the gallery with the solo exhibition "Volume of Uncertainty (Shift 224)", at the centre of which is the site-specific installation that gives the exhibition its title.
At this year's Art Düsseldorf, we are placing a special focus on the work of FRANKA HÖRNSCHEMEYER (* 1958), whose expansive, kinetic sculpture "Oszilloskop" was selected for a sculpture space this year. The sculptor understands space as a material that is characterised by formal complexity and ambiguity of content. She uses industrially manufactured building materials such as formwork elements. Franka Hörnschemeyer's oeuvre includes expansive installations and sculptural works, film, photography and sound. We are currently showing Franka Hörnschemeyer in the gallery with the solo exhibition "Volume of Uncertainty (Shift 224)", at the centre of which is the site-specific installation that gives the exhibition its title.
Franka Hörnschemeyer
Equation (d1), 2020
Steel and timber formwork elements
approx. 230 x 170 x 150 cm
Equation (d1), 2020
Steel and timber formwork elements
approx. 230 x 170 x 150 cm
Thomas Florschuetz
Another focus is on the photographic work of THOMAS FLORSCHUETZ (*1957). He can be seen with the early four-part body image "Untitled (Cross) 03" from 1988, the digital image presentation "Gestirn" from photographs of East Berlin from the 1980s and the photograph Untitled (SBM) 05 from 2022, which focuses on the Sítio Burle Marx estate west of Rio de Janeiro designed by Brazilian landscape architect Roberto Burle Marx. His image-analysing and constructive view is present in all the works.
Another focus is on the photographic work of THOMAS FLORSCHUETZ (*1957). He can be seen with the early four-part body image "Untitled (Cross) 03" from 1988, the digital image presentation "Gestirn" from photographs of East Berlin from the 1980s and the photograph Untitled (SBM) 05 from 2022, which focuses on the Sítio Burle Marx estate west of Rio de Janeiro designed by Brazilian landscape architect Roberto Burle Marx. His image-analysing and constructive view is present in all the works.
Thomas Florschuetz
Ohne Titel (Kreuz) 03, 1988/2024
Archival Inkjet Prints
4 parts, each 107 x 72 cm
Ohne Titel (Kreuz) 03, 1988/2024
Archival Inkjet Prints
4 parts, each 107 x 72 cm
Richard Serra
With the powerful oil pastel drawing "Revolve", 2001, we pay tribute to the American artist Richard Serra, who died on 26 March 2024.
With the powerful oil pastel drawing "Revolve", 2001, we pay tribute to the American artist Richard Serra, who died on 26 March 2024.
Richard Serra
Revolve, 2001
oil pastel on handmade paper
91 x 77 cm
Revolve, 2001
oil pastel on handmade paper
91 x 77 cm
Tanya Poole
With works on paper, photographs and sculptures by four artists, we are also focussing on the question of how people perceive and influence their environment. Since TANYA POOLE (*1971) has been living in France, her interest has focussed on the nature surrounding her, which sharpens her perception and leads to masterful, large-format ink paintings on paper, e.g. about insects but also the full moon at night.
With works on paper, photographs and sculptures by four artists, we are also focussing on the question of how people perceive and influence their environment. Since TANYA POOLE (*1971) has been living in France, her interest has focussed on the nature surrounding her, which sharpens her perception and leads to masterful, large-format ink paintings on paper, e.g. about insects but also the full moon at night.
Tanya PooleMoon, 2023
ink and pigments on paper
140 x 200 cm
ink and pigments on paper
140 x 200 cm
Caroline von Grone
The portrait-like depiction of a tree pair by CAROLINE VON GRONE (*1963), sometimes seems like a closely entwined couple, rooted in place, unable to free themselves from their precarious position. The powerful lines and the partly motivically dissolved colors create an unexpected aura, reminiscent of nature cult legends and myths, which seem to tell of hidden life in nature.
The portrait-like depiction of a tree pair by CAROLINE VON GRONE (*1963), sometimes seems like a closely entwined couple, rooted in place, unable to free themselves from their precarious position. The powerful lines and the partly motivically dissolved colors create an unexpected aura, reminiscent of nature cult legends and myths, which seem to tell of hidden life in nature.
Caroline von Grone
Baumpaar 4, 2021
oil on canvas,195 x 77 cm
Baumpaar 4, 2021
oil on canvas,195 x 77 cm
Lena von Goedeke
LENA VON GOEDEKE (*1983) lives on Spitsbergen in the Arctic, among other places. She is interested in geological contexts, the scientific recording of landscape and sensual perception. Her works are based on various techniques and methods of visualisation
LENA VON GOEDEKE (*1983) lives on Spitsbergen in the Arctic, among other places. She is interested in geological contexts, the scientific recording of landscape and sensual perception. Her works are based on various techniques and methods of visualisation
Lena von Goedeke
No weigth no Dimension I, 2023
Lava from the 2021 Fagradalsfjall eruption, glass, wax, dust, steel
approx 10 x 10 x 35 cm
No weigth no Dimension I, 2023
Lava from the 2021 Fagradalsfjall eruption, glass, wax, dust, steel
approx 10 x 10 x 35 cm
Simone Nieweg
To mark the recent exhibition by SIMONE NIEWEG (*1962) at the Photographische Sammlung/SK Stiftung Kultur in Cologne, we are showing photos by the Düsseldorf-based photographer. Her works reveal her keen sense of light and structures in man-made landscapes, fields and gardens.
To mark the recent exhibition by SIMONE NIEWEG (*1962) at the Photographische Sammlung/SK Stiftung Kultur in Cologne, we are showing photos by the Düsseldorf-based photographer. Her works reveal her keen sense of light and structures in man-made landscapes, fields and gardens.
Simone Nieweg
Bäume am Meer VI (Morgengrauen), 2023
Archival Pigment Print
85,5 x 121,5 cm
Bäume am Meer VI (Morgengrauen), 2023
Archival Pigment Print
85,5 x 121,5 cm
Lucinda Devlin
LUCINDA DEVLIN (*1947), who is part of the New Colour Photography movement, was also honoured in 2023 with a retrospective at the SK Stiftung Kultur and a comprehensive book published by Steidl Verlag. We are showing photographs from the series "Salt" and "Lake Pictures".
LUCINDA DEVLIN (*1947), who is part of the New Colour Photography movement, was also honoured in 2023 with a retrospective at the SK Stiftung Kultur and a comprehensive book published by Steidl Verlag. We are showing photographs from the series "Salt" and "Lake Pictures".
Lucinda Devlin
Bonneville Salt Flats, Utah #4, 2017
from the series Salt
Lake Huron, 8-31-2012 8-13 pm, 2012
from the series Lake Pictures
Archival Pigment Prints
100 x 100 cm
Bonneville Salt Flats, Utah #4, 2017
from the series Salt
Lake Huron, 8-31-2012 8-13 pm, 2012
from the series Lake Pictures
Archival Pigment Prints
100 x 100 cm
Evelyn Hofer
The photographs of EVELYN HOFER (1922-2009) testify to a sensitive approach to people and places. Hofer's iconic portraits captivate with the colour intensity of the dye transfers. Hofer is one of the early colour and street photographers.
The photographs of EVELYN HOFER (1922-2009) testify to a sensitive approach to people and places. Hofer's iconic portraits captivate with the colour intensity of the dye transfers. Hofer is one of the early colour and street photographers.
Evelyn Hofer
Phoenix Park on a Sunday, Dublin, 1966
Dye Transfer
34 x 41,5 cm (40,5 x 50,5 cm)
Phoenix Park on a Sunday, Dublin, 1966
Dye Transfer
34 x 41,5 cm (40,5 x 50,5 cm)
Anja Bohnhof
ANJA BOHNHOF (*1974) is represented with a photograph from the "Tables" series from the "Typosphere" project. It shows the workplace of a so-called pavement typist in Calcutta, who offers his services on the pavement in front of the High Court and fills out forms with his typewriter, for example. As in her other series created in India, Bohnhof also focuses here on a setting that reveals many aspects of the world's most populous country, which is known for its stark contrasts despite its ongoing modernisation. At first glance, the beauty of the writing centres, which Anja Bohnhof isolates in the picture by using a studio background and skilful lighting, is fascinating, allowing the viewer to observe every last detail. But the return to the analogue, which can be felt in many areas of life in Europe, also plays a role. And so the photographs in the "Typosphere" series also address the longing for tactile, natural materials, sustainability, individuality and deceleration.
ANJA BOHNHOF (*1974) is represented with a photograph from the "Tables" series from the "Typosphere" project. It shows the workplace of a so-called pavement typist in Calcutta, who offers his services on the pavement in front of the High Court and fills out forms with his typewriter, for example. As in her other series created in India, Bohnhof also focuses here on a setting that reveals many aspects of the world's most populous country, which is known for its stark contrasts despite its ongoing modernisation. At first glance, the beauty of the writing centres, which Anja Bohnhof isolates in the picture by using a studio background and skilful lighting, is fascinating, allowing the viewer to observe every last detail. But the return to the analogue, which can be felt in many areas of life in Europe, also plays a role. And so the photographs in the "Typosphere" series also address the longing for tactile, natural materials, sustainability, individuality and deceleration.
Anja Bonhof
Typosphere, Tables Gopal Saha, 2023
Archival Pigment Print
70 x 90cm
Typosphere, Tables Gopal Saha, 2023
Archival Pigment Print
70 x 90cm
Kuno Gonschior und Lee Ufan
Aus dem klassischen Bereich des Galerieprogramms zeigen wir ein Gemälde von KUNO GONSCHIOR (1935 - 2010) in intensivem Gelb sowie eine exquisite Papierarbeit von LEE UFAN (*1936 in Korea), einem der renommiertesten Vertreter der zeitgenössischen Kunst Asiens. Seine Werke werden noch bis Ende April mit einer Retrospektive im Hamburger Bahnhof Berlin gewürdigt.
Aus dem klassischen Bereich des Galerieprogramms zeigen wir ein Gemälde von KUNO GONSCHIOR (1935 - 2010) in intensivem Gelb sowie eine exquisite Papierarbeit von LEE UFAN (*1936 in Korea), einem der renommiertesten Vertreter der zeitgenössischen Kunst Asiens. Seine Werke werden noch bis Ende April mit einer Retrospektive im Hamburger Bahnhof Berlin gewürdigt.
Lee Ufan
Dialogue, 2006
Watercolour on handmade paper (Arches)
32 x 57,5 cm
Dialogue, 2006
Watercolour on handmade paper (Arches)
32 x 57,5 cm
Kuno Gonschior
o.T., 1986
oil on jute
100 x 80 cm
o.T., 1986
oil on jute
100 x 80 cm
Richard Serra
Untitled (For Ernst), 1980
oil pastel on paper
ca. 65 x 75 cm
Untitled (For Ernst), 1980
oil pastel on paper
ca. 65 x 75 cm